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Bio |
Daniele Villa
> 2009
- Research Fellowship
"Methods of representation in planning practices and participation",
Politecnico di Milano, (DiAP)
- Memeber of scientific board, Urban Community Ecomuseum North Milan (EUMM)
> 2008
- PhD in Urban and Enviromental Planning,
Department of Architecture and Planning (DiAP), Politecnico di Milano
Dissertation: " The renewal in the processes of knowledge: describing and representing complex urban territories. The milanese metropolitan region: a case study".
"
Il rinnovamento nei processi di conoscenza: descivere e rappresentare i territori urbani complessi. Il caso della regione metropolitana milanese"
Tutors: Rossella Salerno, Alessandro Balducci
XX Ciclo, Dottorato in Pianificazione Urbana Ambientale e Territoriale
> 2007
- Contract Professor in Urban Analysis and Representation,
Faculty of Architecture and Society, Politecnico di Milano
> 2006
- Contract Professor in Urban Analysis and Representation,
Faculty of Architecture and Society, Politecnico di Milano
- Collaboration with Urban Simulation Lab. chair: Peter Bosselmann,
Faculty of Architecture and Society, Politecnico di Milano
> 2005
- Contract Professor in Urban Analysis and Representation,
Faculty of Architecture and Society, Politecnico di Milano
- PhD Candite Urban and Enviromental Planning,
Faculty of Architecture and Society, Politecnico di Milano
winner of the Politecnico scolarship
> 2004
- Contract Professor in Representation Techniques,
Faculty of Architecture and Society, Politecnico di Milano
> 2001
- Degree in Architecture,
Faculty of Architecture and Society, Politecnico di Milano
Degree Dissertation: " Strda Statale 36 Nuova Vallassina, una ipotesi ermenutica"
Tutor: Vittorio Ugo
> 1972
- Born between the lakes and Alps of Northern Italy
Talking about drawing
" Among Chuan-tzu's many skills, he was an expert draftsman.
The king asked him to draw a crab. Chuang-tzu replied that he needed five years, a country house, and twelve servants.
Five years later the drawing was still not begun.
"I need another five years," said Chuang-tzu.
The king granted them.
At the end of these ten years, Chuang-tzu took up his brush and, in an instant, with a single stroke, he drew a crab, the most perfect crab ever seen."
Italo Calvino, On Quickness
from Six Memos for the Next Millennium
"Tra le molte virtù di Chuang-Tzuc'era l'abilità nel disegno. Il re gli chiese il disegno di un granchio. Chuang-Tzu disse che aveva bisogno di cinque anni di tempo e d'una villa con dodici servitori.Dopo cinque anni il disegno non era ancora cominciato.
'Ho bisogno di altri cinque anni' disse Chuang-Tzu. Il re glieli accordò. Allo scadere di dieci anni, Chuang-Tzu prese il pennello e in un istante, con un solo gesto, disegnò il granchio più perfetto che si fosse mai visto."
Italo Calvino, Rapidità
da "Lezioni Americane"
